Hafizah Geter


Naming Ceremony

  • Our father, who spends most of his days painting
     
  • pictures, says coming home to our mother
     
  • stroking out was like walking in on an affair.
     
  • Bending, he demonstrates how
     
  • an aneurism hugged her
     
  • to her knees. A man always
     
  • at his easel, our father tries to draw clarity
     
  • from obfuscation. Every retelling:
     
  • bluer, then redder. His memory
     
  • a primary color saturating
     
  • the ears of whomever he can will
     
  • to listen. Over and over, our father draws a loss
     
  • so big it is itself an inception, a story
     
  • he knows better than the day
     
  • his daughters were born.
     
  • His heart is strong.
     
  • He has the receipts:
     
  • a scar between his breasts
     
  • that I've cleaned like a smudge on a window.
     
  • Over and over, our father draws me
     
  • a picture of the crescent moon
     
  • fishooking her hospital room.
     
  • He loses the story for the pleasure
     
  • of finding it.
     
  • We lived in this
     
  • maze for years. I can tell you
     
  • our best days weren't glad.
     
  • He's a history
     
  • whittled down to this
     
  • single story. In my version,
     
  • when her mind blew,
     
  • boys were playing Beirut,
     
  • crushing cans of Pabst
     
  • against their shoulders. I flicked
     
  • white balls into red solo cups.
     
  • The night turning
     
  • like the wheels of a faraway gurney.
     
  • In their basements, I was an animal,
     
  • a pale light. Not yet
     
  • knowing how loss finds its way to you.
     
  • Or that sometimes when you think you are playing
     
  • someone else is dead.
     
  • These are the ways in which we come
     
  • to name things. 
  •  


 

  • The Widower

  • Five winters in a row, our father knuckles
     
  • the trunk of his backyard pine
     
  • like he's testing a watermelon.
     
  • He scolds smooth patches
     
  • where bark won't grow,
     
  • breaks branches
     
  • to find them hollow.
     
  • He inhales deeply
     
  • and the pine tree has lost
     
  • even its scent. He grieves
     
  • in trees—our father, the backyard
     
  • forest king, the humble
     
  • king. The dragging his scepter
     
  • through the darkness king.
     
  • The wind splits him into shivers.
     
  • Rivers of stars
     
  • don him like a crown. Our king
     
  • who won't lay his tenderness down
     
  • trembles into the black
     
  • unable to stop
     
  • his kingdom from dying.
     
  • I have failed to quiet
     
  • the animal inside him.
     
  • If only I would
     
  • take his hand.
     
  • This man weeping
     
  • in the cold.
     
  • How quickly I turn
     
  • from him.
 

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Author Bio

Born in Zaria, Nigeria, Hafizah Geter serves on the Board of Vida: Women in the Literary Arts, and Co-curates the reading series Empire with Ricardo Maldonado.  Her poems have appeareD in The New Yorker, Tin House, Narrative Magazine, Gulf Coast, Boston Review, Los Angeles Review of Books, among others. She is on the poetry committee and Book Ends Committee for the Brooklyn Book Festival and is currently an editor for Little A and Day One from Amazon Publishing.