Maureen Seaton


Dear Samuel

Another city appears in your headlights,

nomad. The mountains keep their distance,

 

arguing over who gets to guard you. It’s funny

to hear them rumbling like hot rods.

 

~

 

How does the plum differ from night, how

long the wait between lives? I was dying the

last time I saw you, and the first time, and this

time I am a sun dropping behind mountains.

And we and sky and plum and we. And we.

And we.

 

~

 

Today was awkward, as if pain were an

upward climb without toe grips or handholds. 

 

I got struck first with waves, then particles. 

They say the machine cuts off if you sneeze. 

 

~

 

In another version of time I am similar to a

string of lights that change from hot to cold

and back and make me giddy with electricity,

which I take for granted in most versions of

time, even the ones I’ve lived through that I

barely remember, like this one, though I have

no way of knowing until this version recedes

behind another version, and I am left alone

on a beach, running from ghost crabs. 

 

~

 

Before I met you, there was a place beside me,

tingling. Days would be symbols across a 

 

dark. Creating code. Or something both small

and enormous, like the turn of a moon. 

 

~        

 

Now my spine implodes into cell and shadow.

One speaks calcium, collagenmarrow. The other

seeks revenge against the failures of science,

even as I read about your life back East,

where it grows cold again. We are both

amazed to be alive and shivering.

 

~

 

Maybe the New Year will be subtle or maybe 

it will feel old. I don't care about the sting or

 

the drought or the way we enter the silence

alone. Where are we but close to clemency?

 

~

 

My bluing peaks, your steel-shaped sea.

Everything leads back to shatters of light and

star. The planet circles the dumb sun

cautiously, as if holding its breath. My bones

turn to crystal.

 

Coincidence Studies

I got my passport just as the year was coming to a close.

Just as all the ports were about to be passed without me. 

 

 

Now I burst with energy that forms a needle on my head.

The flag that flies there is reported to have flown away. 

 

 

 (I would write about someone else if I could.)

 

 

Maybe                                                              

                                                                        Maybe

 

                                    Maybe

 

            Maybe

 

 

(There is always a flag but there is not always wind.)

 

 

Being friends with a piano is hard if the piano sounds flat. I’m

worried because I took mine on the road last winter. It wasn’t

that cold but what’s cold for a piano? Maybe my ear is too

sharp. Sometimes, when I say something funny, you ask

what’s wrong and I say: what do you mean what’s wrong, do

you think you’re the only funny musician in this entire family? 

 

 

I can’t fold myself into a book anymore, 

but I can place myself inside parentheses. 

 

 

I can run a rope between two skyscrapers and walk over. 

 

 
Photo credit: Chantel Acevedo

Photo credit: Chantel Acevedo

Bio:

Maureen Seaton has authored twenty-one poetry collections, both solo and collaborative—most recently, SWEET WORLD (CavanKerry Press, 2019), which went on to win the Florida Book Award for Poetry; a co-authored chapbook, ROAD TO THE MULTIVERSE (Ravenna Press, 2020), with Samuel Ace; and a chapbook of collaborations called MYTH AMERICA (Anhinga Press, 2020), with Carolina Hospital, Nicole Hospital-Medina, and Holly Iglesias. Her awards include the Iowa Prize, Lambda Literary Award, Audre Lorde Award, an NEA fellowship, Illinois Arts Council Grant, and the Pushcart. Her memoir, SEX TALKS TO GIRLS (University of Wisconsin Press, 2008, 2018), also garnered a “Lammy”.