Kathleen Ossip


Poem for Those I Hate

There aren’t many of you, four or five,

boldly complexioned, consistently educated

 

in the tricks of self-regard, the cleansing of hands and hair.

One of you’s a pinworm spoiling a black velvet thong.

 

One of you hugs an armload of promotional brochures. 

One reddens too much. One hit me with a belt.

 

You mustn’t assume my envy like your pageant sashes. 

Hate is not single-celled. It multiplies, it divides. 

 

I admit envy, but with envy comes pity. 

With pity, a cosmology and an ethic.

 

When you all waved federally from the dais, I liked you.

My affection got pricked like the meat of a thumb, it oozed.

 

If I could agree with my hate,

I might comment cruelly on your spindly clavicle

 

or your social contortions, half-laugh half-sex,

or state without fear that God is a bastard. 

 

But hate is a sin against ego

as a worker’s strike is a sin against usability.

 

The righteous shouting which energizes

can’t write a paycheck.

 

Picture my ego, my egg solidifying in hot grease,

slid out too soon, seeping all over the plate. 

 

It’s hopeless, refrigeration can’t help.

Picture your egos, ice crystals

 

ruining a cream dessert. 

Your sins? My inquiries can’t dissolve 

 

your assorted meanings.

All of you, for example, vote impeccably. 

 

I can only embrace my hate

if hate makes friends with life.

 

I don’t wish your deaths.

I wish you so much life you regret every bacterium you crush.

 

I wish you warmth in the aorta 

and sight so keen your eyelids won’t shade against it. 

 

I hear your coughs 

and a gorge cuts itself between my eyebrows

 

like an ecstasy. Your sounds my opera. 

Your motives my rebus I never solved,

 

my movie-twist I never saw coming. 

Because you have grabbed more and better than I,

 

I don’t trust myself to write about you.

I trust myself to write about screens, a remove.

 

Like good citizens, you put your screens away for supper. 

They complete each other. 

 

On the iPad, a meetup of loved ones listening to Bach,

eating grapes during the quarantine. 

 

On the iPhone, grape hyacinths stirring

in time with the sounds of common finches.

 

The synchronous images flare for you.

In your houses, I’m not as actual. 

 

The hate I hold is common.

We know that story, you say. 

 

We’re all vulnerable, one step from endangered.

Right? A common ground? You smile, quenched.

 

What if you threw it away, I ask.

The conviction, the accursed wholeness, 

 

and oh jeez even the reward system. 

But my voice comes out awkwardly kind. 

 

That time and that time and that time, diminishment 

dug into my forehead like a coronet. 

 

You registered my unusability, 

ready as prime muscle groomed at the gym.

 

Bad trellises on which I grow knobby. 

Bad plastics that thrash in my sea while I make pretty things.

 

Puzzle Piece

She scrapes at first

against the edge

of her neighbor. 

Her color is

tested. If right

she is swallowed

by her role in

the big picture, 

a plebeian

necessity,

not applauded.

If wrong she is

flipped onto a

breath-held pile of

postponements, pitched

aside for her

outlandish shape.

If the last, she 

endures the lot

of the fetish:

princess for a

centisecond, 

then ignored once

completion is

had. Small wonder

that she sometimes

craftily finds

herself in a

different box,

sparing herself

the losing face

of fitting in.

 

Van Gogh, The Sower

Sometimes it comes to me like a punch in the face how deluded I’ve been my entire life. 

 

The song lyrics, the movies. The three-act arcs. 

 

I’m supposed to see the humble work ethic of the man sowing.

 

The setting sun makes a halo for him. What a contrast to his furtive stance, thief’s vestments.

 

The seeds clearly point to a brighter future.

 

Dear VVG, 

A poem is what happens in the abyss between spectacle and experience

 

as you know.

 

I like the scythe-shaped things coming off the tree because I don’t know why the hell you put them there. 

 

 
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Bio:

Kathleen Ossip is the author of The Do-Over, a New York Times Editors' Choice; The Cold War, one of Publishers Weekly's Best Books of 2011; The Search Engine, selected by Derek Walcott for the American Poetry Review/Honickman First Book Prize; and Cinephrastics, a chapbook of movie poems. Her new book July is forthcoming in spring 2021. She teaches at The New School and the 92nd Street Y.