Bronwen Tate


from How to Stay

*

I turn my son to the light, 

check his calves for ticks. Fingers 

 

hover along downy muscle—

we live in the woods now. 

 

I balance a limb 

 

of tufted evergreen the wind set down  

in a vase made in Sausalito. We walked 

 

crosswise through rows of apples, 

so I don’t know to name the dark 

 

red peel I remove in a single curling strip.

 

*

My daughter lifts her face to kiss me, 

milk from my breast still pearling her lip.

 

Once I walked with my husband

through a swamp, kissed between grips of cough;

 

now I roll to my side, novel, hot flax pillow 

 

at my feet. Small fingers imprint my skin, 

indigo, all over. How can we want 

 

what we have? Your flight 

through unripeness, my apricots, 

 

casts our blurred bodies into dusk. 

 

*

Thick wind-whipped snow subsides

suborned by sun. I talk invisible labor

 

with Bridget, walk the crest of the hill where my cell 

gets signal. What, ending any day, is more real

 

than nouns I cook: scorched tortilla, scrambled eggs. 

 

Scrape hair from the shower, mine longer now,

his coarse, some silver, from his body. Slice thinnest 

 

shards of apple, leave the toasted almond

on the floor where it fell. This hell

 

of repetition in an imperfect body.

 

*

We should talk more in our new place. I rarely

drive the car, don’t hear the tram, 

 

the slam and crash of drunks, old man 

4am digging through our trash. Don’t leave 

 

the hill, cook beef, feel ill, measure weeks

 

in leaf colors against no habituated bar, 

no bars within 10 miles. Uphill, students drink,

 

yell, sing late with foxes who some mornings 

slip through our frosted lawn

 

into the flooded woods. 

 

Tate, photo.jpg

author bio

Bronwen Tate is assistant professor of teaching in the School of Creative Writing at the University of British Columbia Vancouver Campus. Her debut poetry collection The Silk the Moths Ignore, National Winner of the 2019 Hillary Gravendyk Prize, is forthcoming from Inlandia Institute in 2021. Her poems and essays have appeared in publications including CV2, Bennington Review, The Rumpus, and Journal of Modern Literature.