Amy Gerstler


One Who Is Always Arriving

You arrive as a limping bird who can still fly. 

 

You arrive as an inscribed leaf I need to read. 

 

Amid morning uproar, you arrive, riven 

 

yet complete. You arrive at night as admonition, 

 

as apples striving for ripeness in their bowl, 

 

as herds lapping at a watering hole, as a torrent 

 

of warnings and blessings, as a stream of belief 

 

so molton that the joys, grudges and griefs 

 

your arrivals inspire require infinite disguises.

 

The Cure

Doing fantastic, thanks for asking! I just chugged 

a glass of dinosaur urine and feel new-baptized!

If you’re ever lucky enough get your hands 

on a quart of this stuff don’t be squeamish.

It makes penicillin seem like skim milk! 

No virus can slay you with dino piss in your system.

Last night I participated in the 8 pm scream-out

again. For a quarter of an hour the two halves 

of my neighborhood yell as loud as they can 

across our little canyon to prove to ourselves 

as well as the folks we can’t see anymore 

that we’re still kicking after nine months 

of pandemic lockdown. Now my throat feels 

strip-mined, but I’m glad cause my sense 

of connection got fed—not a whole meal, 

just a handful of crumbs—but hey, that’s way 

better than nothing. After yesterday evening’s 

hoot and holler session, a dude on the far side 

of the ravine lugged a pair of ginormous speakers 

up to his roof and blasted excerpts from two 

of Dr. King’s famous sermons, plus some lines 

from a Cesar Chavez speech I could understand 

only half of because alas my Spanish is not what I 

might wish. Then he proceeded to DJ a weirdass 

menu of songs, so loud the balcony was quaking 

under my feet, ranging from “Stayin’ Alive” by 

the squeaky-voiced Bee Gees (who do sound like 

insects) to Aretha Franklin belting “Chain of Fools” 

(a comment on the hopefully outgoing government, 

was my guess). Joan Baez sang “We Shall Overcome” 

in her reedy soprano. Then Aretha again with 

“Amazing Grace.” When realized I could actually 

see the ant-sized guy responsible for curating 

this spoken-word-and-song broadcast from across 

the arroyo, shirtless on his roof with a quartet 

of friends, I admit I cried a little bit. Then I went 

back inside and downed another mug of sauropod 

pee. It’s a lovely amber color, with notes of gingko, 

horsetail and fern. That drink sure has kept me 

going during this dark time. 

 

The Great Conjunction

The Great Conjunction took place last night 

as Saturn and Jupiter almost touched. 

Or so it appeared to the naked eye.

It's been 400 years since the planets passed 

so close to each other, and 800 years since 

it happened at night. Excited to see this celestial 

event, he wrapped me in quilts and coaxed me 

onto the freezing balcony. The planets were hard 

to find, but he used his compass. Eventually, I saw 

two bright points, slightly pulsating.  Jupiter, larger, 

shone boldly. Saturn, fainter, hovered above 

and to the left. This morning we woke to frost 

and a smiling lake. Clothes puddled the rug. 

What looked like a fifth of ancient daylight resolved 

into a bottle of gin. When he opened the curtains 

the glare made me wince. Tucked in like this, 

under thick quilts, I feel like a ring baked into a cake. 

The previous night we’d forged an inviolate private reality. 

Empires rose and fell as we wrestled in bed. Horses snorted 

and reared. I tumbled from a great height in slow motion, 

hair flying behind me. Later, we swam in a river. Did he 

see these things too, or was he rinsed in different 

visions? No way to tell. It’s funny how one’s spirits

can sink in a moment. Now he touches my shoulder 

and asks, “Are you still with me?” His face like some 

distant cousin’s in an old photo. I try to look at him,

my eyes weedy with dream. Dressing, he says, 

“I’ll return with coffee.” A cart rattles down 

the hall. Elevators ding, as the hungry descend 

towards breakfast. Nearly impossible to roll out 

of bed. Yet I aspire to be vibratingly awake, to pour 

myself into whoever walks by and ride around 

inside them awhile, to bundle up, rush outside

and huff up whiffs of mulch and cave breath 

as well as the world’s perfumes, let all that act as 

truth serums. The boy I can sort of see through 

the window could be a young monk in his dark 

blue hoodie, kicking at stiffened shrubs, pulled 

along by the dancey dog he’s walking. I'd like 

to slide inside his or the mutt’s mind for a while, 

beam myself into them as a ventriloquist throws 

his voice so that a hat left on a chair seems to be 

telling crude jokes. I smear a porthole on the fogged 

window glass with my fist and say, Take me with you! 

But dog and boy, to my chagrin, just keep walking. 

 

Pucker and Fizz

Poems are prophetic. Or mimetic.

Or eidetic or pathetic. Or regret-ic.

Or pleading. Poems can be free-

wheeling seas of molten feeling. Or

trance-inducing, corseted, or misleading.

Poems leave traces everywhere, as beasts 

leave tracks upon earth and air with

wings and feet. Thank you, Poetry, 

for protecting me from collapse, sack,

overthrow, and defeat. It was sweet

of you, Poetry, to invite me to dine with 

the Society of Extinct Animals, hearty eaters 

all, and each a fan, since their rise and fall, 

of shouting into the obliterating wind. 

Poetry, is it wrong for me now to break 

my lifelong vow never to talk about Poetry 

in a poem? And Poetry, from whence 

do these fits of love assail me, as I watch 

dogs slurp water, or when I sip a puckery

citrus fizz? Insistent as rip tides, where 

do these spasma of love for all that is

come from? My guts? My shrunk-

to-a-raisin brain? These sudden loves drive 

me bonkers and save my bacon. But what

am I to do when seized by wracking 

transports of adoration daily, in ways I 

can’t contain? Here, Poetry, you take them.

 

Author Bio:

Amy Gerstler has published thirteen books of poems. The most recent is Index of Women (Penguin Random House, 2021). In 2019, she received a Foundation for Contemporary Arts CD Wright Grant. She is currently collaborating on a musical play with composer/actor/writer Steve Gunderson.