Brandon Menke


Souvenirs

Roberto out of sorts, scouring converted horse hospitals
for cyanotypes, frowning hippogriffs on Victoria’s
marmoreal mound (“billowing motherliness”), Soho’s
“piano nobile” above “jolly sous-sol[s]” of fornication,
falcons (pigeon-fattened) roosting atop odd fountains,
coward moon through sycamores on Tottenham Court
Road, Woolf’s formerly bohemian stomping grounds,
Nelson’s lions, Branston Ploughman’s, apricot Stilton,
Orangery scones, throwing off our clothes on going
indoors (no hesitations), hot mouth or cold frottage,
stoic Underground or hourly constellations, Astoria
(closed), Ghetto (closed), Metro (closed), Samson
Agonistes 
(Milton), personality disorders (borderline) or
neurotic devotions, perspiration on old sponges,
monstrance shadows, Lord Leighton bronze, foreskin
troubles, Tower rooks, soot- or blossom-covered
cobbles, microfossils (Devonian otoliths mostly), moss
growing on Roman columns, molds blooming on
windowsills, dog-eared books (Hollinghurst, Eliot,
Sexton, Shonagon, Defoe), mouths open to Fitzrovian
snow, broiled tomatoes, soggy bottoms, TopMan on
Oxford, cocktails on Old Compton, Yoko Ono (out of
context), Björk on Rolling Stone.

 

Bisque Head

Heterosexuals frame

one another’s cramped faces 

in their smart-phone screens, 

angling a few too-early

magnolia blooms into view 

as though the woman’s head 

were pillowed by uterine 

softness: a locket shot

that reminds me of our grand-

mother’s odd little music box,

silenced by over-winding, 

that concealed a cushion 

of sateen underneath its tin-

punched lid—perfect 

for our small fingers to lay

the disembodied head, 

its flat black curls & salmon 

lips, skin wan as an invalid’s,

down to the dark of her

one porcelain thought.

 

Leopard-skin Cache-sexe

after Edwin Denby

Our All-American grapples with the demon’s knopped 

 

Limbs. Clattering along the scaffold. The smog of love’s

 

Pierced by mentholated light as in Tarzan the Fearless

 

The distant falls, and mid-meal his anorexic daughter’s

 

Pathetic call arouses; amorally stitched to leather, 

 

Like spangles, like fetters, her black on soft-sweated yellows 

 

And orange concealing pricks, butches a-sway at Springs

 

Under the stained band-shell, between walls painted fox 

 

Pink; and waltzing revolves like a blond frosted head

 

Whistled at. The malignant hero’s golden belly 

 

Strains against his Magic Mold Bodyshirt when applause

 

despairingly chlorinates the World’s Fair Aquacade— 

 

The venison smell of women and platinum muscle men

 

As a low, savory moan ripples from the deep.

 

Author Bio:

Brandon Menke is a poet and Ph.D. candidate in English at Yale, where he recently completed a dissertation about cross-media modes of queer lyricism in twentieth-century american literature and visual art. He received his MFA in poetry from NYU. His work appears or is forthcoming in Post45: contemporaries, Modernism/modernity Print Plus, The Yale Review, Denver Quarterly, bæst: a journal of queer forms & affects, Columbia Journal, and elsewhere. He is an Assistant Editor at The Yale Review, and lives with his partner in south bend, indiana.