Ron Koertge


My Friends and I Wanted to be Movie Stars.

Big and strong, blonde and sexy.   Rich and famous with new, 

made-up names.

 

Hollywood was a way out of the Mid-West.  We saved allowance 

money.  We mowed lawns.  

 

We’d travel like hobos, only cleaner.  Sneaking out of the boxcar 

at Union Station or at the sight of the first orange.

 

We’d sleep outside under a special moon. Fruit would fall on us. 

like a bunch of Isaac Newtons.   

 

That sounded so great maybe we’d just stay and not be stars.  

Co-stars, maybe.  Or daredevil stuntmen.

 

But we’d be where things happened.  Nothing happened

in the Mid-West except everybody died every night.

 

Maybe we’d be like Hollywood pets.  Pampered, stroked, fed

by hand,  loved in ways completely foreign to us.  

 

Doris Day Parking

I’m at the bar with a view of the crowded

street when a spot opens up right in front

and a sporty car slides right in.

 

A friend of mine calls that Doris Day parking:

in her movies, there’s always a space for Doris 

when it counts. 

 

Both my wives loved Doris Day, so I know 

she was born Doris Mary Ann Kappelhoff.

 

I know about her marriage to Al Jorden  

the jealous trombonist  and later to Martin 

Melchner who spent every penny she earned.

 

In that way she was like everybody else:  

mistakes in love and money.  Wishful thinking.  

 

But she was not like everybody else.  

While the story of my life rolls on, the stories 

in her life pause while she sings. 

 

After that she has to hurry --  fall into Rock 

Hudson’s arms at last, rescue her son 

from kidnappers. And she always gets 

everywhere in the nick of time

 

because she never has to circle the block looking 

for a parking spot or sit with her flashers  

on while drivers behind her wait and fume.

 

The Cat Who Doesn’t Like Anybody But My Wife Lolls in Ezra Pound’s Lap.
 

In the 50s, pianists named Ferrante and Teicher 

sat at twin pianos.  My mother and her sisters

 

swooned as twenty  fingers ran up and  down  

the keyboard and they

 

pictured the falling leaves that stand for time 

passing, for aging and death.

 

I find “Autumn Leaves” on YouTube and play it.

Sure enough.  It all comes back --  the ash trays,

the coffee cups, the tears.

 

Ezra strokes his beard, then the cat.   “That had

nothing to do with death, Stupid. Those ladies 

were wondering 

 

what it would be like to have  twenty sensitive fingers 

running up and down  their heavy, neglected bodies.

 

“That’s why I keep saying ‘Make it new!’  But you

like to muck around in the past.

 

“By the way, I love this cat.   I’m taking him with me 

when I go.”

 

Author Bio:

Ron Koertge is the current poet laureate of South Pasadena, CA. His most recent books are Yellow Moving Van (University of Pittsburgh Press) and Olympusville (Red Hen Press). He is also sought after as a handicapper of thoroughbred race horses.