Editors Row: Aaron Smith


After My Mother Apologized for My Childhood, We Went to Brunch

 

I know we both had coffee, and maybe the breakfast

bar. It was late enough that we could’ve had lunch,

and a Diet Coke, maybe I had a sandwich

and iced tea. We pretended like we always had,

didn’t think back to what was said before

we ended up in the kitchen of my apartment—

what she said about how God could save me,

what I said about how he didn’t. My rage that she

wasn’t crying, though I was, because she thought

she was right, and I knew she wasn’t, and how

she stood behind the old beliefs because listening

would’ve meant undoing, what her whole life,

she had done—and I had undone—in the name

of Jesus, but there was a shift when we left

the living room for different rooms, after what

we did say, and what we almost said, both wounding

and un-wounding in tandem. Then her behind me,

a break, an opening so slight in the quiet, her words,

and me trying to comfort, to make her feel better,

unable to accept what I’d always wanted—

my whole life—and just received, but I didn’t know

an apology could feel like sadness, and forgiveness

its own kind of grief, a new way for us to be distant.

After we got the check, figured out tip, driving

back to my place: Did I really tell you to get AIDS and die.

Yes, I said, and that if I were gay, you’d want to put me

on a bus and never see me again. Then silence,

that place we always returned to, but somehow,

this time, new: There are some beautiful houses in this town,

she said, I wish I could learn more about them.

 

Plathoholic: A Party Game

                   

One of the following is true:

 

1)

I have a single strand of Plath’s hair

in an envelope pressed in a book.

James told me I should put it

in my mouth and taste it.

 

2)

I bought a second-edition Ariel

at a used bookstore and switched it

with a first edition at the library.

 

3)

I went to Plath’s childhood home

when the owners weren’t there

and took a package from the porch

but never opened it.

 

           

One of the following is true:

 

1)

I swallowed Plath’s hair

because I wanted her

inside me.

 

2)

A boyfriend tore up

the stolen book because

he knew I loved it.

 

3)

I opened the box and found:

 

a) a jewelry box inscribed:

Devoted wife, Love of my life

 

b) a copy of He Comes Next:

The Thinking Woman’s Guide

to Pleasuring a Man

 

c) kitchen knives

with a wooden block

and sharpener

 

Leading Men

 

Thelma and Louise and a blow dryer made Brad Pitt

a star. The Notebook made Ryan Gosling

a household name. Casino Royale is why Daniel Craig

is Daniel Craig. London was where I first saw Chris Evans,

but have you seen his chest in Captain America? Chris Hemsworth

(that chest!) got my attention in Thor. Colin Farrell

 

is the best in Fright Night. I love Colin Farrell

the most, though, in Seven Psychopaths. He and Brad Pitt

should make a movie together. Chris Hemsworth

and Ryan Gosling should, too. (Don’t confuse Ryan Gosling

with Ryan Reynolds.) It’s hard to believe Chris Evans

did an ensemble piece—Knives Out—with Daniel Craig.

 

Captain America and James Bond in the same movie! Daniel Craig

is a terrific actor—stage and screen—but when Colin Farrell

cries in In Bruge, he’s hard to beat. Chris Evans

is handsome, but he’s not a “great” actor. Brad Pitt

is good, but he probably got the Oscar for being shirtless. Ryan Gosling

is great, too. He’s more serious than Chris Hemsworth,

 

but do we really care if he’s serious? Chris Hemsworth’s

glowing torso is almost as magical as Daniel Craig

emerging from the ocean in a blue speedo. Ryan Gosling’s

abs in Crazy, Stupid, Love are crazy, stupid, and loved. Colin Farrell—

if you like lean and cut—is right up there with Brad Pitt.

Okay, Brad Pitt’s body is better. Chris Evans

 

is the most “jock” hot and Chris Evans

has a great cock (accidentally leaked online). Chris Hemsworth’s

dick isn’t online, but I’ve seen Brad Pitt’s

in Playgirl (yum), and Daniel Craig’s

floats in the bathtub in Love Is the Devil (slurp). Colin Farrell

shows his dick in a sex tape. (Watch It!). Ryan Gosling’s

 

cock is online, too. Someone snapped him peeing. Ryan Gosling

cries well in Lars and the Real Girl. Chris Evans?

His pecs make me weep. Again, Colin Farrell,

in In Bruges is one of my all-time fave cries. Chris Hemsworth

doesn’t cry, or maybe he does? Again, does it matter? (Those arms!) Daniel Craig

does a great “almost-cry” in Flashbacks of a Fool (bad movie). Brad Pitt

 

cries a lot. In Fight Club he’s as hot as Chris Evans, Chris Hemsworth,

Colin Farrell, and Ryan Gosling combined. Between Daniel Craig

and Brad Pitt? I can’t believe I’m saying this: Brad Pitt.

 

He Lied

 

when the man asked if he wanted to go home with him

when the man asked if he wanted to get fucked

when the man asked if he was always this quiet

when the man asked if it hurt

when the man asked if he was having fun

when the man asked if he was still having fun

when the man asked if he wanted to stay all night

when the man asked if he wanted to do it again in the morning

when the man asked if he wanted to have brunch

when the man asked if he wanted to stay another night

when the man asked if he cared to get his own ride home

when the man asked if he was okay keeping things casual

when he said the man asked if it hurt

 

Some Days Everything I Do I Do

 

with a broken heart.

Today, for example,

 

I threw away

the ceramic red

 

wheelbarrow she left

in the yard last

 

winter; it froze

and cracked beside

 

the abandoned

birdbath. I know,

 

I’m writing a poem

that mentions

 

a red wheelbarrow—

fuck off!