Josh Tvrdy


The Out-&-Proud Boy Passes the Baseball Boy

& we look at each other heterosexually, which isn’t

a real kind of looking, a looking everywhere

 

besides his face, my face, O look at the sky, look

at that nearly blooming magnolia, its heavy bulbs

 

needing one warm day to fully unbuckle,

floppy white petals finally draped with sun.

 

Even at the club, where it was easy

trying each other on—nervous fingers

 

sliding the spine’s slick chute all the way

down to sacrum, then lower—even there

 

he had to close his eyes, imagine me

different. I don’t blame him. I remember

 

that particular tint of shame, slipping it on

like a rest stop Trojan fumbled from a pocket

 

& opened with teeth. Later that night he took

my mouth to his starving places. Let me say that

 

less gay: I gave him a blowjob on a sinking

air mattress in the corner of a cramped Air

 

BnB with somebody’s foot flicking in sleep

three feet away. He didn’t kiss any part of

 

me, but it was good. It was. I’m trying to tell

                  the truth. Trying to believe my body can pass

 

his on this cracked sidewalk without

flinching into shadows because I’m nothing

 

like him. I’ve gnawed through every curtain

to belong in this light. This gorgeous April light.

 

Smut Psalm

for J & C

These days, a scandalous union

inside my jacket pocket:

 

a handmade rosary, lustrous

bits of cypress hollowed out

 

by a nun in a candled room

just outside Peoria, rubbing up

 

against a squat black flashdrive

glutted with grainy pornos

 

gathered by a friend in his year

of singleness, then passed to me,

 

in my own lonely season.

Mornings, walking past the empty

 

churches on Seminary street,

my pocket rattles like a gentle

 

snare, like sanctification 

hard at work. I believe

 

things change when they touch,

even by accident—the rosary

 

regaining its flesh, fingers

before mine smoothing

 

each bead into an almost

perfect orb, a devotion

 

so precise it could only be

prayer; and the flashdrive

 

not so sad, a home

for the tired, for the strange

 

slappings two bodies make

when they’re mostly

 

inside each other, straining beyond

pretend, into something

 

ordinary—love, or light, or touching

a real tongue to a real tongue.