Christopher Citro


Flavorfest, Sparkle Supreme, Seascape, Eversweet

I can’t remember the words. Something 

about you lifting your cup of light to mine.

A new sun switching on between us. 

It was good however it went. I slipped it 

into your phone case. I’ll still be asleep. 

You’re preparing for work. I want you 

to think of this passing strip malls with 

their signs removed so there’re just holes 

where the plates once fit, holes where 

power cords came through, haloes where 

dirt caught around the plastic. How does 

dirt get up there? Does it actually fall 

on us? Things are getting worse they say. 

I don’t remember them having gotten better 

since last time they got worse. A blue tarp 

over the back of a drug store lights 

the pavement Pacific Atlantic Arctic—

I’m listing oceans it makes me think of. 

Sea animals shaped like a funnel with 

other animals inside taking refuge or 

being eaten. Last night—let’s agree 

to call it midnight—I went to swat 

a spider with America’s Most Complete 

Seed and Nursery Catalog. As I swung 

the strawberries at the wall, the thing 

jumped out over my right shoulder. 

I lost it against the carpet pattern,

the blossoms I walk across to get to you.

 

How Many Exoplanets Will It Take

You mentioned the starlings last weekend 

as if they were nothing, as if they needed to 

get some butter the next time they were out. 

I saw the various stars after you’d gone to bed 

and I stepped outside to see what the trees 

were doing. I wanted to act as if I’d never seen 

them before. There are lights. In the sky. 

Like rings pressed into black velvet. Trays 

laid on folding tables in a cosmic flea market. 

I wanted to reach out—I wanted to be 

the kind that reaches out. If they knock 

the seed to the ground it won't go to waste. 

Chipmunks will fatten. Something will feed 

off the chipmunks. In your sleep—overtime 

each day this week and looking at working 

straight through the weekend—when you shift 

a limb or change your breathing a pain sound 

bleats out of you. At full volume. I find myself 

thinking, the worms are waking in the soil, 

but I don’t know that they are. Perhaps like us 

they’re alive all winter long. Occasionally 

come close enough to the snow to think 

the sky is a blank and appears to want us 

dead. We’re wrong about what’s going on. 

We’re small and our smallness confuses us.

 

Pinkies and Stumpies

People will keep arriving for the garage sale 

even if the rain returns. There’s a fierce drive 

deep within, not where the heart dwells but 

beside it, like a wolf waiting. It looks like a dog. 

It’s not a dog. What are you? Third grade we lay 

on long paper while some kid traced around us. 

Supposed to draw the organs in later. I asked 

teach, Where is the meat? Does it matter 

I can’t remember her answer? That year 

I learned cause means what made it happen

not because even though when I said it it did. 

Deep shadows in the hallways around that room

felt like a relief. Everything’s too brightly lit. 

We’re not all about to operate. Here’s where 

I’ll put the heart. Here’s my shoes. I could sit 

in a room plugged into you for hours without 

getting hungry. I’d have to stretch my legs 

eventually. That’s something that’s lasted. 

One man’s junk is another’s treasure. My 

mom said this to me as we climbed across 

a hill of refuse at the town dump. She’s gone 

and that’s one of the things I miss about her. 

She'd cook two kinds of mushrooms my dad 

and I picked wild in the woods. The others, 

though he felt they were fine, she wouldn’t touch. 

Sautéed in butter, my brothers freaked for them. 

I wouldn’t swallow any—they smelled like dirt. 

So she placed a bowl of ice cream before me, 

the cheap kind in brown, white, and strawberry 

that’s the best thing in the world until it isn’t. 

 

Author Bio:

Christopher Citro is the author of If We Had a Lemon We'd Throw It and Call That the Sun (Elixir Press, 2021), winner of the 2019 Antivenom Poetry Award, and The Maintenance of the Shimmy-Shammy (Steel Toe Books, 2015). His honors include a 2018 Pushcart Prize for poetry, a 2019 fellowship from the Ragdale Foundation, Columbia Journal's poetry award, and a creative nonfiction award from The Florida Review. Christopher’s poetry appears widely in literary journals such as American Poetry Review, Ploughshares, Iowa Review, West Branch, Gulf Coast, and Alaska Quarterly Review. He teaches creative writing and lives in Syracuse, New York.